I am curious if I can see the difference in your comparison pictures. I have my 35mm 1.4 for sale but a little hesitant to let it go. This image was created by combining 10 exposures each taken 105 seconds apart. Pixel peeping tests might show a difference in the corners but my stopped down samples look fantastic. The RX1 does not have a continuous auto-focus mode which means that it can not track a moving subject like you can with a DSLR. Where would the lens shine and what if any compromises were made to deliver the final performance profile? In reality servicing often introduces new problems. After 3 years of waiting, Sony finally announced the successor of the RX1 and RX1R â the RX1R II. Your imagery examples are very helpful to see OoF transitions, etc. It’s bright, very responsive, and displays nearly everything you can see on the rear LCD (including the live histogram). ... September 1, 2019 at 3:29 pm. Sony RX1 weighs 482 g (1.06 lb / 17.00 oz) and has external dimensions of 113 x 65 x 70 mm (4.45 x 2.56 x 2.76â³). All of my comparisons are loose as I was primarily evaluating the way each lens renders a scene holistically. I think generally, the RX1 can be a bit smoother along the edges of the bokeh circles but apparently, can also on occasion suffer onion rings, which I have yet to see in the 35/1.8. Pretty cool, but don’t sell that panorama tripod gear just yet, as you cannot adjust any of the exposure or ISO settings when in this mode. (Pocket-lint) - When it first launched at the end of 2012, the Sony Cyber-shot RX1 was a camera like no other. The RX1 is so small that it fits into a tiny shoulder bag or even a large coat pocket. The RX1 series camera features Autofocus (AF) and Manual Focus (MF) modes, plus Sony's Direct Manual Focus (DMF). I’ve tried it a bit with mixed results. And all my wonderful manual lenses will be repairable long after I’m gone. This should answers any questions one may have about repair costs or feasibility of sensor cleaning. The compact size of this camera allows me to take it pretty much everywhere and capture shots that I would certainly miss with a larger DSLR. Been shooting that focal length for over 10 years now! I haven’t tried it yet but the other thing i like is the manual focus button on the lens – this will be great for “from the hip” street/candid shooting, where i can just set focus on 8 or 10ft and at f8 or 11, auto iso, and snap away. I wish I had better news Gio but the rIV behaves the same – you have to wait for the buffer to clear before switching crop mode. Can you, or a reader, comment on this? Sony 35 1.8 Lens vs Sony RX1! Just to clarify: it is a myth that dust gets inside only when you replace a lens, or that cameras with non removable lenses are dust proof. The attraction here is the flexibility of having that f/1.8 aperture and the difference in rendering it provides, with the downside being the larger size – but still compact. This is the type of compact prime that I signed up for when the concept of mirrorless was introduced. I shoot with the RX1 daily. On the subject of bokeh – I’ve noticed some onion rings in the RX1 shots that do not exist on the FE so I’m recalibrating my thoughts on which is better. Guess the Lens! This site uses Akismet to reduce spam. When I first got my hands on this camera I was cautiously optimistic about image quality and concerned about how the camera would handle with its miniature controls (compared to a DSLR), and fixed 35mm lens.Â Since then it’s become my daily shooter. Promising to combine high-end DSLR image quality with compact portability, the Sony RX1 also features a 35mm Carl Zeiss prime lens with a fast maximum aperture of f/2, full 1080p high-definition video, high-resolution 3-inch screen, manual shooting modes, 5fps continuous shooting, ISO range of â¦ Save my name, email, and website in this browser for the next time I comment. and why should it be any less repairable than any other digicam? Hi Chad, thanks for the review…same problem here. Best, Another compelling travelogue/review. Since image noise levels were so low, I actually used the “auto” ISO setting quite a bit and let the camera pick the best ISO for each shot. If anyone uses ACR (adobe camera raw) to process their raw files, which lens profile are you using to make corrections ? try this camera under the sun on the beach? Thanks for the kind words. We've updated our Sony Cyber-shot DSC-RX1 review with an additional page of lens data, brought to you in collaboration with DxOMark. ... Related: Sony RX100 V review. Change ), You are commenting using your Facebook account. (It really is a geeky area, though and, for most photographers, is just too much trouble for too little gain. You can see the vignetting in a few of the sample photos as I had in-camera compensation turned off for a bit. Some cameras and sensors tend to produce a lot of noise and artifacts when exposure goes beyond a few seconds. This DSLR-like camera offers a â¦ Note that the video is not 1:1 time scale, it does not take 5min to assemble any of the devices shown: Can you utilize zone focusing on manual focus and a set aperture? Aber. The RX1's headline feature may well be its 24MP full frame image sensor, but the fixed Carl Zeiss Sonnar T* 35mm F2 â¦ If you use a lot of speedlights and studio flashes this is a tremendous advantage because it allows you over power the sun in your exposures like I did here with Eric’s portrait. The Good Great photo and good video quality in a camera with a nicely functional and fluid shooting design are the Sony Cyber-shot DSC-RX1's highlights.. I have the Samyang FE 35mm F2.8 and an adapted Carl Zeiss Distagon 35mm F2 ZS as my stop gap 35mm lenses. Could it have to do with the amount of saturation and contrast in the out of focus areas? You are welcome Matt. This EVF is the best I’ve ever used. The Sony Cyber-shot DSC-RX1 is the first ever compact camera with a 35mm full-frame sensor. Last Updated: 5/21/20. Even at that high of a setting, the files are very usable and clean up nicely during post-processing. I could even replace my Nikon birding gear when buying the 200-600 for the A7R4, and solve everything with 1 camera (need to see AF of A7R4 first for that). I mainly shoot wedding and engagement photos, and like to take artsy and character pictures. Of course, I would. Change ), Lens Review: Sony FE 135mm f/1.8 GM Return of the King, Whip Smart: Sony’s new FE 35mm f/1.8 is the lens we have been waiting for, https://www.dropbox.com/sh/c99610e91noxmxg/AADKsmfoJtT-OZWcl-hWc19ca?dl=0. The bad news is that the RX1 stumbled when trying to focus in low light/low contrast situations. It was easy to produce significant lens “bokkeh” at f/2, while needing at least f/16 to get about an 1/2 inch of depth. Hello ! Body Build and Design Opened the box, you got a battery, a pouch, a power adapter, micro USB cable, a portable battery charger (finally! When it comes to image quality, my expectations have been wildly exceeded. I’ll add that the major difference between the lenses is the bokeh. Simple: Buy BOTH! This was a technique I used when I had an M6, way back in the days of film. i guess the bottom one. A fair assessment although I still think the new FE is sharper at comparable apertures but i don’t test bench lenses – Roger Circala over at the Lens Rental blog indicates that the FE is very sharp. I’ve been waiting four years for it so it wouldn’t hurt to wait a while longer. But since I do a lot of pictures under low indoor ambient light, I could really use the faster 1.8 aperture. These advanced flash settings, usually only found in DSLRs, were a pleasant surprise. In a lot of ways the RX1 is now my workhorse camera. Firstly, serious curiosity about the shooting experience of a tiny waist-level device (the RX0 Mark II has a flip screen). Sony pretty much pioneered the “in camera” panorama feature now found on most small format cameras including the iPhone. This isn’t a problem for the wider environmental portraits but I do notice it on tight head shots or 3/4 length portraits.Â Regardless, the camera produces images with true skin tones and plenty of detail. I see the potential for the Sony RX1R II become the Contax T3 of our times. This has two distinct benefits over the mechanical shutters that DSLRs systems use – the first being that taking a picture with the RX1 is nearly silent. That’s a decision only you can make. Thank you, Chad, for this great review and comparison. One person even stated that the Sonnar has some magical micro contrast not present in the FE lens. Id be using it ona A7R3 body. in fact, the only time I now reach for the DSLR is when I need to photograph live performances (i.e. In crop mode, the 24mm bokeh will be more similar to an f/2 lens but retain the light gathering of an f/1.4. I appreciate A LOT. Related: Sony Cyber-shot RX1 review The RX1R II felt very comfortable in our hands. Most of the time I find myself using the RX1âs “flexible spot” focusing mode. Iâve been shooting this camera non-stop for since February 2013 and have put it through a variety of situations including editorial assignments, portraits, street photography, landscapes, and even macro work. So wonder if the Sony FE 35mm 1.8 can basically give the same results? THe RX1 has an “in camera” HDR mode. I’m in the exact same boat and love that 24mm. Worth noting is that Appleâs iPhoto also has no problem importing and editing the RX1 files directly out of the camera. Good Vibes f/1.8 1/800 sec f/1.8 1/2000 sec f/1.8 1/1000 sec f/2.5 1/1600 sec. I haven’t compared them directly but based on my recollection of the 2.8 when I owned it, the FE is an upgrade, Thank you. There are three accessories that I highly recommend for this camera. After a day or two, I was taking this camera everywhere because, unlike previous pocket cameras,Â I was no longer concerned about sacrificing image quality. Secondly, the desire of every photographer to have hardware thatâs small and of good quality. It doesn’t carry a G or GM badge, but at this price point, clearly it isn’t a budget lens. Chad is a Sony Artisan of Imagery and Red Bull Global Photographer based in Austin, TX. The RX1 exudes build quality. Shooting indoors under low ambient light it sure makes a difference to be able to open up beyond 2.8. I have the same issue. Chromatic aberrations look to be well controlled with the FE 35mm – maybe even more so than the Sonnar. Not clinically perfect, it is what some call a “character lens” specifically recognized for its wonderful rendering of the transition between very sharp focus and out-of-focus backgrounds. If you’re geeky, read more on all this by reading around the topic of “UniWB”. What do you think? Not particular to this lens. I also feared the lack of weathersealing but I had them everywhere, winter, water, beach and hot kitchens â they still work flawlessly. 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